Kattil Tamil Movie Review
Cast-;
E.V.Ganesh Babu , Srushti Dange , Vidharth (Guest appearance) , Kannika snekan , Master Nidhish , Geetha Kail asam , Indra Soundar Rajan ,Sampathram , Semmalar Annam , Artist shyam ,Metti oli Shanthi , Kadhal Kandhas and others.
Crew-;
Producer & Director : EV Ganesh Babu , Dop : Wide angle Ravishankaran , Music : Srikanth Deva , Singer : Sid Sri ram , Script & Editing : B.Lenin , Lyrics : Kaviperarasu Vairamuthu , Art : P.Krishnamurthy, Mano , Choreographer : Metti Oli Shanthi , Production Executive : Rajan, Ela.Vasudevan , Pro : Sathish (AIM) , Stunt : Theepori Nithya , M akeup : N.C.Singamuthu , Costume : J.Rajendran , Production Executive : Rajan Govind araj (Pre Production) , Exe cutive Producer : Ela.Vasudevan (Post Production) , Stills : Mothilal , DI & Vfx : Shade 69 Studios , Colorist : Nave en Sabapathy , Post Production : Gstudios , Sound Design : UKI Ayyappan , Designs : J.A.Abdhul, Suman, M.Shak thivels , Co Director: S.Manoharan, Swami Rajalingam , Music Label : MRT Music etc .
Story-;
Nane is the classic hymn of Bhavanandiyar. He has said this in the 12th century. At the same time, there are thos e who want to preserve the ancient symbols and know the life of the ancestors for generations. The image that reflects the mentality of the second category is the bed. A storyline where the protagonist struggles to protect the bed in the film’s title. The screenplay has a long life within it. Protagonist’s brother and sister who have stay ed abroad are thinking of selling their native house. The protagonist and his mother do not agree with it, but agr ee anyway. The man does not want to give away the ancient bed in the house. There are problems in saving it and moving it because it is a big heavy bed. The effects of these are the picture.
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Movie Review-;
Ganesan (EV Ganeshbabu), a third generation, lives in a palatial house with his mother (Geetha Kailasam), pregn ant wife Thanalakshmi (Sirushti Dange) and 8-year-old son. 2 brothers born to Ganesan, one sister living abroad, arrange to split the proceeds from the sale of the traditional house and its contents. Then, Ganesan refuses to se ll the traditional bed used by his ancestors and fights to keep it with him. The story is about what he lost and wh at he gained. The story revolves around the last heir of a great family who clings to tradition and the price he pa ys for it. Editor and director B.Lenin has scripted the story of Vidart, the current heir, as a ‘flashback’ of his fathe r’s and his bond over the traditional bed. His dialogues and cinematography are the backbone of the film.
Ganesan and his family spend 15 days crammed into one room of the ocean-like house to start work on convert ing the house into a tourist-friendly club. Our eyes lose control even when the family spends the night in the hou se of an Eelah refugee who has already left their homeland after vacating the house in the middle of the night.Th e scenes woven around the bed, like him looking for a suitable rental house to enter the bed, measuring the door of the houses he looks at, storing the bed in an antique store, running to the store after school and laying down o n it, and Ganesan’s son falling fast asleep, are unrelenting.Apart from Ganesan’s struggle for the bed, the struggl e in the factory where he works, the life of a poor woman, the family challenge for Ramaiah, who runs an antique shop, and branch stories such as the strength of the central story could have added more strength to the ‘drama’ and the struggle to keep the bed.
Ganesh Babu, who has played the characters of 3 generations, has given his immense effort as the hero of the st ory. Geetha Kailasam as Ganesan’s mother, Srishti Dange as his wife Dhanalakshmi, Indira Soundarrajan as Ram aiya, Semmalar Annam as Mrs. and Master Nitish have acted without exaggeration.Cinematographer ‘Wide Ang le’ Ravi Shankar has vividly recorded the life of the palace house and Ganesan’s life after it. Kant Deva’s backg round music brings the film to life. The song ‘Gods All’ is disturbing. Ganesh Babu, who is playing the lead charac ter, is seen in the whole film without struggling and playing with great passion. He has beautifully and profoun dly expressed two kinds of emotions, happiness and sadness, in three appearances.Actress Srishti Dange, who plays a heavy role, handles every scene with utmost care and is a huge strength of the film.
This character of his will definitely add strength not only to the film but also to his screen career.Geeta Kailasam, who plays Ganesh Babu’s mother, goes beyond the angle of being a character in the story and keeps the younger generation thinking.Semmalar Annam, Siruvan Nitish and all the characters in the film are designed to attract at tention.Cinematographer Wide Angle Ravi Shankar’s cinematography is beautiful and conveys the gravity of the story to the audience.In Srikanth Deva’s music, all the songs are not only listenable but the lyrics are also unders tandable.
The background music goes along with the story.P. Len’s cinematography has tried to lighten the film and played a major role in bringing the emotions of the characters to the audience.EV Ganesh Babu, who plays the hero of th e story, has written and directed it. Although it is a story based on an inanimate object, he has narrated the sc reenplay for it. Srishti Tange’s visuals in the second half are eye-popping.Since it is an emotionally focused story, the screenplay feels a bit slow moving. But when you look at it emotionally and not look down on it, you can tra vel along with the story and the characters. The film will appeal to anyone who is sensitive to inanimate objects that stay with us across generations.
This IS MY Personal Review So Please Go And Watch The Movie In Theaters Only
Written By- T.H.PRASAD -B4U-Ratting – 4 / 5
