Dunki Tamil Movie Review
Cast-;
Shah Rukh Khan , Taapsee Pannu ,Vicky Kaushal ,Boman Irani ,Vikram Kochhar ,Anil Grover ,Jyoti Subhash , Dev en Bhojani , Manoj Kant , Arun Bali , Amardeep Jha , Suhail Zargar , Rohitashv Gour , Jitendra Hooda , Shahid , L atief , Mahavir Bhullar , Sapna Sand as Balli’s mother , Richard B. Klein , Nikhil Ratnaparkhi , Ranjha Vikram Singh , Gurpreet Ghuggi and others.
Crew-;
Directed by Rajkumar Hirani , Written by Abhijat Joshi , Rajkumar Hirani , Kanika Dhillon ,Produced by Gauri K han , Rajkumar Hirani , Jyoti Deshpande , Cinematography by C. K. Muraleedharan , Manush Nandan , Amit Roy , Edited by Rajkumar Hirani , Music by Songs : Pritam , Score : Aman Pant , Production companies ; Jio Stu dios . Re d Chillies Entertainment , Rajkumar Hirani Films ,P R O ; Yuvaraaj and others.
Story-;
The process of going illegally from one country to another is called Dunki. At the end of the Second World War, when there was a shortage of human resources in the country, England began to use immigrants from foreign co untries for its production needs. In India, especially in the state of Punjab, many young people are roaming arou nd with the dream of going to England.Mannu (Taapsee) Palli, Buku and Suki (Vicky Kelashal) from a village call ed Laldu in Punjab, their ambition is to somehow get to London.
Everyone has a reason to go to save their girlfrie nd from an abusive husband, financial crisis at home. An old de bt comes into the lives of these four people who swindled money from fake agencies claiming to arrange visas. Pr otagonist Hardy (Shah Rukh Khan) falls in love with ex-army man Shah Rukh Khan and decides to fulfill her wish to go to London. After various challenges they decide to go to London as Dunkiah. Did these four go to London? Did their ambition come true? What they lost in this journey is the story of Dunki.
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Movie Review-;
Manu Randhawa (Taapsee) and her two friends living in the state of Punjab have some financial problems. They d ecide to go to England to settle it. They try different methods for it. While they are on the quest, Hardyal Hardy S ingh (Shah Rukh Khan) unexpectedly joins them. As a token of gratitude to Manu’s family, he promises to stay wi th Manu and her companions until they are sent to England. He helps them accordingly. Then during their attem pt to get to England, Suki (Vicky Kelushal) joins them. These five are making every legal effort to go to England. When they all lose, how that failure affects their lives, how they are forced to choose the “Dunky” route, whethe r their Dunky journey succeeds or fails, and how it changes their lives, the screenplay of “Dunky” tells. While all the directors here struggle to tell a coherent story,
Hiranio keeps us engaged with the story and visuals by giving each character a backstory. Apart from the hero Sh ahrukh, the four who try to go to England have each story. Vicky Kelashal’s story is full of adventures. Bringing u s to tears. Manu’s story is full of loss and pain, along with the desire to succeed. Although the stories of the two who become her friends are not charming, the ideology that the director conveys through those stories in the fi nal scene justifies the need for those stories. So if you ask if there is no backstory to the hero, there is a painful e motional story behind how the hero becomes indebted to Manu’s family. In this way, Hirani attracts us with a ba ck story for each character at the very beginning, and after that creates various stories and ideologies as scenes and continuously captivates us mentally and intellectually.
The final scene and the subsequent photographs and press clippings shake us up and plant various related quest ions deep in our minds and bring out the related discussions with vigor. Shah Rukh Khan is back with his third co nsecutive film of the year, Shah Rukh Khan Dungi, which marks his first collaboration with Rajkummar Hirani. Th e film, on the whole, is a humorous and emotional story of love, hope and homecoming. To begin with, Dunki isn’t as heavy-handed as Hirani’s previous films, as the director always brings the deja-vu factor to the film’s feel-goo d scenes, and the humor comes at an uneven pace. However, what helps the film is how it gets better scene by sc ene, and how the characters in the film intertwine with each other. The first half of the film takes us steadily thr ough the characters and their lives, and how they travel to London with a mission to cross borders.
The film does the job nicely before pressing into its aggressive emotional streak and then moves into a second ha lf that is the better of the two. Although the sense of hope in the film is inevitable, the second half has a lot of em otional moments. A beautiful climax is also a big plus. Technically, Dunki is very good at sticking to the director’s old-school sensibilities and basic criteria and not getting too carried away with it. Pritam’s music is warm and the re are a couple of songs that enhance the emotional moments in the film. Dunki’s biggest strength is the comedy scenes that are peppered throughout the first half of the film. Scenes of trying to learn English only if you know English can you go to London. The first half of the film is full of simple comic book jokes as they try to get to Lon don.
Vicky Kelashal’s character, who only comes in for a brief moment, makes such a huge impact that it becomes the reason for the entire film to bear. Director Rajkummar Hirani’s PK had charmed the audience with its comedy an d politics at the same time, but Dungi, which keeps the audience engaged throughout the comedy sequences, ta kes a serious turn in the second half. All the challenges they face on their way to London illegally pass by without real or significant impact. People are forced to migrate from one country to another due to various reasons like war, famine, lack of employment opportunities. Legally and illegally. From such serious reasons, the reasons for the characters in Dungey seem flat. And the pains of migration.
The fact that a country deals with the problems of admitting refugees, the politics of shoehorning and not going deep into anything, but merely deals with emotional overtones like humanity and patriotism makes Dungy’s film a below average experience. British director Ken Loach’s films give us a vivid picture of the problems faced by do mestic citizens in England. We must first come out of comparing the free movement of birds across borders with humans. The romance between Shah Rukh Khan and Taapsee is the only thing that keeps Dungi alive. The chemis try between the two has worked out well. The director has a twist in it. Shah Rukh Khan storms through the emo tional scenes as always.Shahrukh Khan’s two films Pathan and Jaawan released this year were full of action and commercial success. Similarly, is Dungy a success? It has to be seen depending on that.
This IS MY Personal Review So Please Go And Watch The Movie In Theaters Only
Written By- T.H.PRASAD -B4U-Ratting – 4 /5
