Dejavu Movie Review
Cast-;
Arulnithi , Madhoo (Madhubala) , Achyuth Kumar , Smruthi Venkat ,, Chetan , P.A , Ragav Vijay , Kali Venkat , Mime Gopi , Supergood Subramani ,Harwin Ram , Maria Vincent ,Chenthu Mohan and others .
Crew-;
Director: Arvindh Srinivasan , Producer: Vijay Pandi K , Co-Producer : PG Muthiah ,Music Composer: Ghibran ,Cinematographer: PG Muthiah , Lyrics : Viveka , Editor : Arul E Siddharth , Art Director : Vinoth Raveendran , Stunt: Pradeep Dinesh , Atmos Mix: Harish , Stills : Manivannan ,DI : Cuviam Studios ,Colorist : Shanmuga Pandian M ,VFX : Aksha Studios , PRO : Sathish (AIM) ,Sound Design – Naveen Shankar, Guna SD. VFX Supervisor – R Neetesh Kumar ,Publicity Designs : Thandora ,Production Executive : Uma Maheswara Raju , Production Controller : Ravi Chandran K , Executive Producer : Anto L ,Banner : White Carpet Films In association with PG Media Works ,
Story-;
Dejavu movie comes with a plot in which a writer (Achyuth Kumar) witnesses all his fictional characters come into his real life. Whatever he writes in his novel will happen in his real life. These will turn out to be terrific in cidents. As he wrote, a young lady will be kidnapped by three men in real that is where the story begins. The wri ter will be threatened by his fictional characters. When he complains to the Police, none will believe his happen ings. In between, he will stop to write the story, being scared. At a certain point, the Police and the other will re alise the importance of this case and gets into action. Arulnithi as a Police officer, tells the writer to continue his store without being scared and what happens later is the other part of the Dejavu story.Dejavu holds an amazing storyline with a different concept that brings curiosity to the viewers. Aravind Srinivasan has written the story well, but he failed to bring the exactness of his writing to the screen. But still, it is hard to believe that he is a de butant director. The visuals are amazing and perfectly blended with the storyline.
Watch The Trailor-;
Movie Review-;
Dejavu movie comes with a plot in which a writer (Achyuth Kumar) witnesses all his fictional characters come into his real life. Whatever he writes in his novel will happen in his real life. These will turn out to be terrific in cidents. As he wrote, a young lady will be kidnapped by three men in real that is where the story begins. It might not be an entirely original idea but it’s kind of cool for a thriller to begin with a pulp fiction writer confessing to a police officer that he’s being hounded by the fictional characters he’s written. It’s part Stranger Than Fiction, pa rt Weird Science when the whole State of Tamil Nadu waits for novelist Subramani’s (Achyut Kumar) every new word to figure out what happened to a missing woman. This isn’t just any woman—she’s the daughter of the DGP (an out-of-place Madhoo) and the fact that the police cannot track her makes the case sensational for the media and an embarrassment for the force.
With this flight of fancy, we’re primed for an investigative thriller that needs a sort of magic for the screenplay to move forward. The writer will be threatened by his fictional characters. When he complains to the Police, none will believe his happenings. In between, he will stop to write the story, being scared. At a certain point, the Police and the other will realise the importance of this case and gets into action. Arulnithi as a Police officer, tells the writer to continue his store without being scared and what happens later is the other part of the Dejavu stor y. It’s a perfectly workable setup placed in a perfectly workable scenario. By taking the conflict of this writer and by placing it into the context of the whole State machinery, the film makes a vague, esoteric issue into everyone’s issue.
The writer-director doubles down on this by introducing a secret agent named Vikram (Arulnithi) who the DGP contacts to bring back her daughter and we also get an action sub-plot. On one side is Vikram placing the film in a realistic world with real-world problems, even as the other keeps peeping into Subramani’s notes for what’s going to happen next. This is also where the screenplay starts to wobble. After investing so much time for such a setup, you expect the film to go all out and push this conceit to take us new to new places. At first, every word the novelist writes truly matters in the scheme of things, but with each passing scene, it recedes to the back gr ound, first as a recurring joke and later, as a complete distraction.This becomes far more frustrating when the idea is almost entirely abandoned to backtrack on this fantastical idea to make it seem plausible.
]By doing this, it’s removing the only aspect of the film that sets it apart from the hundreds of other films that ta lk about similar cases and the investigation that follows.But this isn’t the only issue. The film then transforms in to a series of contrivances that are written around giving you one twist after another. For instance, the film breaks for the interval with a corpse being fished out of a lake. Given that the film until then was about finding a missing woman, it’s done intentionally to create an event. But the way even this moment is tossed aside, without anything further being mentioned about this body removes any tension the screenplay was about to create for itself. If the film doesn’t care about the missing woman, why should we? These contrivances keep coming and somewhere in its effort to shock us, we stop caring anymore even when it has a valid point to make about encounter killings.
This IS MY Personal Review So Please Go And Watch The Movie In Theaters Only
Written By- T.H.PRASAD -B4U-Ratting-3 /5
