ARAGAN TAMIL MOVIE REVIEW
The heroine Kavipriya and the hero Michael Thangadu are in love. Kavipriya decides to take up the task of caring for Sriranjani, a middle-class woman who lives alone and sick in a house in a hill country. Michael Thangadurai, suspicious because of the unimaginable salary for such an ordinary job, stops Kavipriya from going there, but she goes there without asking.
Sriranjani says that the house in a dense forest where there is no cell phone tower is mysterious, the things in the house are also mysterious and our family does not want to have a face mirror, so we do not use it, Sriranjani says. Naiki, who feels as isolated as Sriranjani some days, finds solace in talking to her lover on her cell phone and passes the days.
When the heroine’s cell phone breaks down and she loses contact with her boyfriend, the heroine’s appearance suddenly changes. His appearance looks old. This is known to the people watching the film, but the heroine is not aware of it, because there is no mirror there. However the moment the heroine becomes aware of the mysteries going on around her, her lover is there, but he appears to the heroine’s eyes in different guises. As these sudden changes in Michael create tension in the audience, the heroine feels herself caught up in the larger plot. What is it? Did he recover from that? ‘Aragaan’ tells this through a different plot.
Michael Thangadurai, the hero who is very loving and caring towards his girlfriend, shows his true face with his cruel face and does anything for his selfishness.
Actress Kavipriya has a smiley face and beauty as per the character of Mizhijnila. Gavipriya, who beautifully expresses her happiness that she is going to get a new relationship and life through her lover with her childish face, the whole theater feels sorry for her in the scenes where she expresses tension on her face with the mysteries and frightening incidents happening around her and the disappointment of knowing about the conspiracy against her.
Sriranjani, who has acted in a way that scares the audience, has attracted attention by playing a role that he has never played before. Having been cheated by her lover and living a life of slavery for many years, Kalairani has exaggerated the character with her usual performance. Apart from these, some faces have peeked in some scenes and helped the screenplay.
Cinematographer Surya Vaithi, who has beautifully displayed the beautiful plot of the dense forest and the beautiful house in it, has made the audience nervous by showing the same area as full of mystery.
Composers Vivek-Jeshwant who have conveyed the loneliness of the two characters and the expectation and disappointment of the heroine to the audience through their background score, have also given the songs to be enjoyed.
Cinematographer Sai Daksha’s way of juxtaposing the different storylines and twists and turns keeps the film moving with excitement and anticipation. Art director Kaki Jayaseelan’s hand-painting also attracts attention.
Highlighting two characters and moving the story inside a house with many twists and turns, the director has very simply depicted the cruel face and supernatural powers of a man who ensnares innocent women in his plot for a deathless life, but what happens next? The audience becomes one with the film with the expectation that
There are some glitches and logic violations in the screenplay movement. But the director has succeeded in telling the plot in a different way from the beginning to the end so that they do not affect the film as flaws and make the audience watch the film with tension.
Overall, this ‘Aragan’ did not disappoint the fans.
MOVIE RATING: 2.5/5
MOVIE REVIEW BY B4U MEDIA.
