Vaaitha Tamil Movie Review
Cast-;
Nassar, Mu.Ramasamy, Pugal Mahendran, Powlen Jessica, Regin Rose (NSD), Thirunavukkarasu (NSD), Muthu Azhagarsamy and others .
Crew-;
Audio on – Tips Tamil , Written & Direction – Mahivarman.CS , Producer – K.Vinothkumar ,DOP – R.J.Sethu mu ruga vel Angharagan , Art – Jacki , Music – Loceshwaran.C , Editor – Naresh Gunaseelan , Stunt – Supreme Sundar , Lyrics – Director Raju Murugan, Umadevi, Mani Amudhavan, Navakavi , Release – Om Films Digital Marketing – Digitally , PRO – Yuvaraj and others ,
Story-;
In the aftermath of an accident, Appusamy (Mu Ramasamy), an elderly laundry worker, gets caught up in a court case. Vaaitha mirrors the administration of corruption within the Indian judicial system, especially in rural areas. This film demonstrates how delays are often accompanied by a denial of justice. Vaaitha not only demonstrates how power-hungry people exploit the underprivileged but also shows how authorities in power are victimised by political interests.
Watch The Trailor-;
Movie Review-;
Vaaitha is the most recent film on the block to talk about caste disparities within the society and the best way th rough which folks from the privileged neighborhood take benefits even when they’re on the improper facet of is sues. Appusamy suffers an injury in an accident. His family is advised to seek financial compensation from the pe rson responsible. The latter doesn’t cooperate. He uses his political clout and creates more trouble for Appu sa my and his son. The main plot involves how they both fight for justice in court. A premise like this—where main characters fight for survival—can turn out to be an interesting drama to watch, if the narrative has enough meat. But that doesn’t happen in Vaaitha. Unfortunately, there are a lot of things that unfold, as the film progresses. Bu t only a few are memorable.The movie showcases the incidents that happen within the lifetime of Appusamy and his son Pugazh, after Appusamy is hit by a automotive pushed by a high-handed politician.
As issues don’t go their method even after repeated advices given by native politicians within the space, they de termine to go to the court docket to search out their victory. I wish I had seen the same Mu Ramasamy, who was fantastic in KD Engira Karuppudurai, but I was disappointed. The characters are superficially etched, with none of the actors leaving an impact. They’re all over the place. I don’t know why there was a mega serial vibe to all th e drama that happens around Appusamy’s family. The romance track cuts a pathetic sight, too. Vaaitha turns out to be a yawnfest. Sigh! It is an overly long film for a way too simplistic story.Had the writing been a tad cohesive, it would have made the mediocre visuals bearable. Vaaitha could have been a decent courtroom drama, but the film is made irredeemable by its inept screenplay. I wish Vaaitha explored the bond between Appusamy and the deaf-mute woman, who appears towards the climax portions.
Mahivarman, are you listening? The well-intentioned film takes up an important issue, but it is not ambitious enough to look for root causes. Courtroom dramas, in general, appear more authentic if judges, police officers and lawyers moved out of the caricature mould. The performances are a letdown too. Pugal Mahendran plays Vignesh, Appusamy’s son, and he looks like a fish out of water, in many scenes. He’s pretty much stone-faced throughout. The actor cannot be blamed entirely. Add to this, a dull screenplay. In a 117-minute film, it’s sad to see the best bits constituting, maybe, around 20 minutes. Mahivarman could have made a short film, and that would have worked.The movie always reminds us of the opportunistic mindset and the caste points which are prevalent within the society.Mahivarman ensures that his movie’s first half is busy with the institution of the characters within the background, despite the fact that it doesn’t occur on the proper tempo.
There are extra pointless scenes than required, and the movie plods alongside till it strikes into the court docket totally. With the introduction of Nasser’s character, the movie makes us really feel that it’s about to show in dir ection of a critical authorized drama, however the finish result’s one thing totally different and it might not work with every person. Details that Mahivarman establishes on the screen do not contribute to the larger drama. At some point in time, it becomes tedious. Courtesy: lackadaisical storytelling.
The director wanted to highlight a pressing issue in society—but the tone of the film screams at you. Vaaitha hig hlights issues, one by one. It was li ke scrolling through a checklist of the points (in visuals) Mahivarman wanted to discuss—corrupt cops, corrupt lawyers, caste-driven violence, honour killing, romance, urbanisation (now her e in the middle, I know)—put toge ther, on the edit table. The film throws many things at you, hoping you’ll elicit some sort of response.Vaaitha has an honest quantity of labor put into it within the technical departments, with the cinematography and music tu rning out to be higher than anticipated in few explicit sequences just like the climax.
This IS MY Personal Review So Please Go And Watch The Movie In Theaters Only
Written By- T.H.PRASAD -B4U-Ratting-4 /5
