Doctor Tamil Movie Review
Cast-;
Sivakarthikeyan ,Vinay Rai ,Priyanka Arul Mohan , Yogi Babu ,Milind Soman ,Ilavarasu ,Deepa Shankar ,Redin Ki ngsley ,Arun Alexander ,Archana Chandhoke ,Zaara Vineet ,Raghu Ram ,Rajiv Lakshman ,Sreeja Ravi ,Bjorn Surr ao etc.
Crew-;
Directer – Nelson Dilipkumar ,Written – Nelson Dilipkumar ,Produce – Sivakarthikeyan & Kotapadi J. Rajesh ,
Cinematography – Vijay Kartik Kannan ,Editer -R. Nirmal ,Music- Anirudh Ravichander ,Production companies – Sivakarthikeyan Productions ,KJR Studios ,Distributer – KJR Studios ,Release date 9 October 2021 (India),Count ry – India ,Language – Tamil , P R O – Suresh Chandra ,Rekha D”One & Yvaaraj .
Story-;
Doctor is a Tamil action comedy movie, written and directed by Nelson Dhilipkumar. The movie stars Sivaka rt hi keyan and Priyanka Arul Mohan of Telugu movie Gangleader fame in the lead roles. Yogi Babu and Vinay have be en roped in for supporting roles in the movie. The movie produced by Sivakarthikeyan’s SK Productions and co-produced by Kalai Arasu. The film’s music composed by Anirudh Ravichander, while cinematography and editing are handled by Vijay Karthik Kannan and R Nirmal, respectively. who along with his ex-fiance’s (Priyanka Moh an) family set out to search for their little girl, Chinnu (Zaara Vineet), who gets kidnapped. Did Varun and the family succeed in finding their dear girl is what Doctor is all about.
Though the film deals with a very serious topic of human trafficking, the way the film has been packaged and presented is enjoyable.Doctor movie story is about Varun (Shivakarthikeyan), who is a doctor in the military. Varun and his girlfriend Padmini (Priyanka Arul Mohan), things didn’t go as planned, and they decided to break up. On the same day, Varun learns that his girlfriend Padmini’s niece Chinnu (Zaara Vineet) gets kidnapped. Varun decides to visit Chennai with Padmini to rescue Chinnu. Did he recover Chinnu? from the human trafficking gang is the rest of the story deal with humor and action scenes.
Watch The Trailor-;
Movie Review-;
Finally, after a long wait, Sivakarthikeyan and Nelson Dileep Kumar’s Doctor was released in the theatres today. Audiences are all praises for this drama that has a good dose of comedy and action. Produced by Sivakarthi key an himself, the film has Priyanka Arul Mohan as the leading lady, and has been released in Telugu and Tamil. He re’s the review. For a brief while, a few minutes into Sivakarthikeyan’s latest film, Doctor, I wasn’t sure if I’d step ped into a Selvaraghavan film by mistake. The protagonist, Varun (Sivakarthikeyan), sits quiet, staring mirthle ss ly at his fiancee, Padmini (Priyanka Arul Mohan), as she proceeds to call out his profound lack of emotion. His face, fittingly, is frozen—as it does for the remainder of this film—while he takes in her criticism. At this moment, the Sivakarthikeyan we have come to know over the years, might be expected to launch into a funny monologue, perhaps at the girl’s expense, but this role is a departure in his career. Later, the girl’s father approaches him and tries to establish male camaraderie by saying that his daughter, Padmini, needs a husband who can slap her and bring down her ‘thimiru’. “Naanum thimiru pudichavan dhaan sir.” I laughed, in relief almost.
Varun (Sivakarthikeyan) is a doctor who works for the military. He is deeply in love with girlfriend Padmini (Pri yanka). But things don’t work as per their plans and soon, they break up from each other. From that moment, a lot of things change for Varun. But soon, he comes to know that Padmini’s younger sister is kidnapped. Varun an d Padmini are on the mission to track who the kidnapper is and they realise this is more than just a kidnap and unearth a human and organ trafficking racket. How Varun manages to save the young girl along with other girls and win Padmini’s love back forms the crux of the story. I wasn’t sure if this placid face of Sivakarthikeyan in this all-new avatar would go on to be sacrificed in this film for a more familiar version. However, I enjoyed—really really enjoyed—that this never happens. Someone, almost affectionately, dubs him, “Loosu Doctor”. Someone else does one better: “Paasakaara psycho”. This is Sivakarthikeyan in a comedy, albeit of the black variety, being secure enough to stay away from joining in, being secure enough to be a passive participant while characters around him chatter away.
This is Sivakarthikeyan as we have never seen him before, and it’s admirable that he hasn’t just acted in this film but produced it as well. Let’s talk about the performances now. Sivakarthikeyan, as usual, has done justice to the role of a doctor who is calm, poised, focused and doesn’t show any emotions and expressions. He has done some thing contrary to the roles he played till now. While he is someone who plays roles that have a tinge of comedy and good dose of humor, the character of Varun is quite a serious one. His mannerism in this film is not the fam ilia r one at all. Priyanka Mohan adds some glamour to the film and is part of the mission that they all are part of. Yogi Babu, and his comic timing in the film stands out. He gives a lot of relief in the film with his comedy. Some scenes that involve Yogi Babu and Redin Kinglsey are the best part of the film.I don’t remember the last time I laughed as loudly in a theatre as I did watching Doctor.
This film’s jokes are so wild, so funny, that it makes you bide your time during the duller, no-joke portions, only so you can let director Nelson have you in splits again. The film is about child trafficking, about sex slavery, about a submissive family forced into acts of crime, but all this solemnity is a device with which to unleash inventive co medy. Sure, it’s rather risky because this is a film full of violence and darkness. Thumbs are lopped off, people are readied to be burnt alive, necks are carefully slit… And yet, with some terrific writing and uninhibited perfor man ces from actors like Redin Kingsley, this film finds ingenious ways of delivering laugh-out-loud humour. Director Nelson Dilipkumar shows an evident talent for it. Sample this. In one of several wonderfully bizarre scenes, a ma n’s kidney is removed, and he is told to comply, were he to need his organ back. Lying on the hospital bed, he doe sn’t seem eager to comply. “Kidney-a thooki kakkoos la potruven.” It’s a warning so ridiculous, so unexpected, that it’s impossible not to spit laughter. Fear not, this film is a treasure trove of such absurd dialogues.
As a man is whisked away on a boat towards his death, he demands a lemon because he feels seasick. Could a ma n really be as cool in the face of imminent death? These are questions you don’t ask, and frankly, shouldn’t, in a film of this genre, as it gets in the way of your appreciation of its humour. If Kolamavu Kokila hadn’t convinced us that this filmmaker is an admirer of Breaking Bad, this film confirms it, with the assassin twins idea (Raghu R am and Rajiv Lakshman). This is a film full of inventive ideas, like Yogi Babu’s ‘ara kai’ game, for instance, as part of which participants smack the back of each other’s hands—a game I dare say might be at home in Squid Game. Even beyond the joke portions, director Nelson shows an eagerness to do away with the usual. Composer Anir udh’s songs may have gone viral, but look at how the two most popular songs (‘Chellamma’ and ‘So Baby’) are used away—one at the beginning and another at the end—so the film can do its job without distractions. Look at how he deals with the mandatory fight sequence.
He sets it in a train—okay, that’s not exactly novel—but then, he switches off the lights and equips the parties wi th infra-red goggles, and even better, proceeds to elicit non-stop laughter, as people fumble along. While on man datory angles, in a film featuring Sivakarthikeyan, by now, it’s no surprise that some portions are going to involve his bond with children. And so yes, he rescues children here, but then again, the formula of it all is offset by how this is hardly an innocent film. Nelson even manages a great emotional moment when the otherwise quiet Varun tells the girl child that he rescued her, not to win favours with her aunt, but because he genuinely loves her. How ever, each time the jokes come to a trickle and the film soldiers on through its troughs under the delusion that it’s communicating some real tension, you get impatient. The villain (Vinay) is a cardboard cutout you learn not hing about, and yet, Nelson seems keen to project him as a serious threat. For lack of well-written transitions between the serious portions—particularly in the second half—and the comedy, you are sometimes left con fused.
I remember at least once when I had barely caught my breath back after laughing that I was pushed into an emo tional scene that seemed to come out of nowhere. If I had to use an analogy as morbid as the humour in this film, I’d say that I felt like I were spotted laughing at a funeral. I also didn’t care for a few jokes that come at the exp ense of women, with one particularly uncomfortable idea being about a man made to wear a nightie and called Gomathi. More importantly, Padmini (Priyanka Arul Mohan) might have benefitted from having something to do in the story, instead of being all dolled up and looking meek (in much the same way this actor does in her Telugu film, Gang Leader). Perhaps even Nelson realised this at some point, for he throws in a jibe at her expense, when someone asks her, “Summa lipstick pottutu unna madhri naan okaandha, unakku epdi irukkum?” Till the end, I wasn’t really sure what Varun truly saw in her. Perhaps her ‘thimiru’? But we don’t see a whole lot of that either, after the opening scene. However, it’s a film with some daring, astonishing ideas for jokes, and for that, I’m wil ling to forgive its weaknesses.
There’s even a beautiful idea underneath the story that speaks of how empathy and emotion isn’t just about wo rds, how it isn’t just about caring for those we know. In a world that is rather unkind to those who may not be gre at with the words, Doctor is a story of a woman realising that her understanding of what constitutes emotion an d empathy is rather superficial. That Nelson has communicated such a difficult idea whilst having us in splits, is an indication that Tamil cinema has a unique directorial talent in him, one I pray that the star system doesn’t go on to stifle.Vinay Rai of Detective fame playing a baddie seems fine. Though he doesn’t get much scope here in the acting, he maintains a serious vibe throughout the film and that makes a narrative gripping. Would have been nice if Milind Soman and Raghu Ram had a lot more to do. Anirudh’s music is good enough. He delivers a good ba ck ground score and songs are entertaining enough. DOP Vijay Karthik Kannan has done a good job and its first rate. Nelson has done a good job on the whole. Though the story has a few loopholes here and there, the film is good overall.
This IS MY Personal Review So Please Go And Watch The Movie In Theaters Only
Written By- T.H.PRASAD -B4U-Ratting – 4 /5
