Jungle Cruise Tamil( Dabbed ) Movie Review

Jungle Cruise Tamil( Dabbed ) Movie Review

Cast-;

  DWAYNE JOHNSON  ,  .EMILY BLUNT , EDGAR RAMIREZ , JACK WHITEHALL , JESSE PLEMONS ,  PAUL GIA MATTI ,  VERONICA FALCÓN ,  DANI ROVIRA ,  QUIM GUTIERREZ ,  DAN DARGAN CARTER , ANDY NYMAN ,  RAP HAEL ALEJANDRO ,  SIMONE LOCKHART ,  PEDRO LOPEZ ,  SULEM CALDERON , SEBASTIAN BLUNT ,  MARK ASHWORTH ,  ALLAN POPPLETON ,  CAROLINE PAIGE ,  JAMES QUATTROCHI ,  STEPHEN DUNLEVY ,  PHILIPP MAXIMILIAN ,  ROMUALDO CASTILLO ,  PEDRO HARO ,  CHRISTINA SOUZA ,  MICHAEL H. COLE  ,  HECTOR BANOS , PETER LUIS ZIMMERMAN , TRAVIS GOMEZ , ISMAEL HERRERA ,  DAVID LENGEL , JUSTIN RANDELL BROOKE , VICTORIA BLADE , BROOKE JAYE TAYLOR , VINCE PISANI , PIPER COLLINS , KEITH ART HUR BOL DEN , CHIP STEELE ,  BEN JENKIN ,  DAVID PARIS , KEVIN LAROSA ,  ALLAN POPPLETON ,  DANIEL STEVENS ,  STUART THORP , LAURENCE CHAVEZ ,  DAVE MACOMBER ,  CORBIN FOX , ERIKA TAKACS ,  TA NOAI REED ,  MYLES HUMPHUS ,  LAUREN SHAW ,etc.

Crew-;

Directer  – Jaume Collet-Serra ,Screenplay – Michael Green * Glenn Ficarra * John Requa ,Story – John Norville
Josh Goldstein * Glenn Ficarra * John Requa , Based on Walt Disney’s – The Jungle Cruise ,Producer – John Davis *
John Fox * Beau Flynn * Dwayne Johnson * Dany Garcia * Hiram Garcia , Cinematography –  Flavio Labiano ,Edi ter  –  Joel Negron ,Music  – James Newton Howard * Metallica , Production Companies – Walt Disney Pictures * Davis Entertainment * Seven Bucks Productions , Flynn Picture Company , Distributer – Walt Disney Studios Motion Pictures  ,Running time  – 127 minutes , Country – United States , P R O – Suresh Chandra , Rekha Done etc.

Story-;

In 1556, Don Aguirre leads Spanish conquistadors to South America to search for Lágrimas de Cristal[b] Tree, whose flowers cure illness, heal injuries, and lift curses. After most conquistadors die, the Puka Michuna tribe heals the survivors with the Tree’s flowers. The tribal chief refuses to reveal the Tree’s location, so Aguirre stabs him and burns the village. The dying chief curses the conquistadors, making them immortal and unable to leave sight of the Amazon River; the jungle recaptures anyone attempting to escape. In 1916 London, Dr. Lily Houg ht on’s Tears of the Moon research is presented by her brother, MacGregor, to the Royal Society, claiming that the Tree’s flowers could revolutionize medicine and aid the British war effort. The Houghtons request access to a re cently acquired arrowhead artifact. Lily believes it and an old Amazon map are the key to finding the Tree. The society denies the request, believing the Tree is a myth and female scientists are inferior. Lily steals the arrowh ead, narrowly evading Prince Joachim, an ambitious German royal also seeking the Tree.

Arriving in Brazil, Lily and MacGregor need a boat and a guide to take them down the Amazon. They hire skipper Frank Wolff, who offers cut-rate jungle cruises embellished with faked dangers and corny puns. Frank initially declines, saying the trip is too dangerous, but he reconsiders upon seeing the arrowhead. Frank steals back his repossessed boat engine, and the trio departs after escaping Joachim, who pursues them in a U-boat.In Frank’s cabin, Lily notices photos and sketches of modern inventions, as well as maps, drawings, and research on the Tears of the Moon. She accuses Frank of seeking the Tree, though he insists he gave up long ago. Puka Michuna tribe, disguised as cannibals, captures the group as one of Frank’s faux dangers that he was unable to cancel in time. Lily is angry and doubts Frank’s honesty. The tribal chief translates the arrowhead’s symbols, revealing the Tree’s location and that it only blooms under a blood moon.

Meanwhile, Joachim locates the conquistadors petrified inside a cave and frees them by diverting the river, on the conditional offer to lift their curse if they retrieve the arrowhead for him; the Spaniards attack the tribe and fatally stab Frank. Lily escapes with the arrowhead. As she crosses the curse’s boundary, vines capture the pur suing Spaniards, dragging them back into the jungle.To the Houghtons’ shock, a fully revived Frank is found the next morning. Frank reveals he is one of the cursed conquistadors who were once on a noble expedition to save Aguirre’s gravely ill daughter, but attacked the village. To defend the tribe, Frank trapped the other conquistad ors after years of figh ting, away from the river where they turned to stone. He then spent centuries unsucc ess fully searching for the Tree, as the artifact was protected by the then tribal chief’s daughter; it would later be kept in London museum for Dr. Albert Falls.

Lily and Frank continue to La Luna Rota[c] Waterfall where they discover and raise a submerged temple. Mean whi le, Joachim captures MacGregor, forcing him to reveal Lily’s location. Frank, Lily, MacGregor, the Germans, and the Spaniards all converge in the temple that houses the Tree. It is discovered the arrowhead is actually a heart-shaped locket containing a gemstone. After placing the gem and locket into the trunk, the dormant tree blooms under the blood moon. As a fight ensues, Lily recovers one flower. The Germans drown, Joachim is crus hed to death, and Fra nk crashes his boat to block the river, petrifying him and the Spaniards. Lily, realizing her true feelings for Frank, sa crifices the flower to lift his curse and restore his mortality. Frank, who wanted to end his life, decides he will con tinue living to be with Lily. The moon’s last beam blooms a single flower, allowing Lil y’s research to proceed.Upon their successful return to England, Lily becomes a full professor at Cambridge and the Royal Society offers her full membership, which she rejects and guides Frank in London.

Watch The Trailor-;

Movie Review-;

Jungle Cruise is a 2021 fantasy adventure in the jungle which released simultaneously in theaters and Disney Plus Premier Access. Directed by Jaume Collet-Serra and starring Dwayne Johnson and Emily Blunt in the pri mary roles, the movie, based on Disney’s theme park attraction of the same name follows the captain of a small riverboat who takes a group of travelers through a jungle in quest of the Tree of Life. Sometimes, it’s not the reb oots and remakes that make you despair of Hollywood’s lack of originality. Sometimes it’s a theoretically original film like this, another attempt to turn a Disneyland ride into a big-screen franchise. As you watch Jaume Collet-Serra’s adventure, you’re haunted by the unpleasant feeling that this is a supposedly fun thing that’s already be en done before. It’s only thanks to Dwayne Johnson and Emily Blunt that the result holds the attention, and it’s a credit to them that it’s entertaining at all. So, first off, as an adventure, Jungle Cruise was solid and fun to watch through and through.

The camera work of the jungle was stunning, with elegant wide shots of the rivers, hills, and trees. Also, the prim ary characters had a lot of action and came through in many places in the jungle. The ride that inspired this is a slightly insipid glide past animatronic animals. It’s not badly done by any means, with lovely animal effects, big, well-staged chases and lots of antics for Blunt and Johnson. Yet it’s deathly derivative. Action beats are lifted fr om Raiders Of The Lost Ark, music comes (mystifyingly) courtesy of Metallica (in collaboration with composer James Newton Howard), and there are endless references to The Mummy. Orphan filmmaker Collet-Serra ma nages to inject some nuance into the portrayal of an Amazonian populace, led by Veronica For the big screen we’re in the Amazon in 1916, where Captain Frank (Johnson) is engaged to take scientist Lily (Blunt) on a hunt fo r “el flor de la luna”, a mythical flower that can cure all ills. Her brother MacGregor (Jack Whitehall, about whom the less said the better) is along for the ride as they follow in the footsteps of conquistador Aguirre (Edgar Ram irez).

The designs of the cursed characters in Jungle Cruise, particularly the ones with the snakes, looked breath taki ng on screen. If you watch this film in the theater, it would be quite an experience. It still looked decent watching on Disney Plus. Of course, this was all expected from this type of movie and also from Disney. Because of this, in the end, I didn’t feel as satisfied as I could have. There was also a theme of sexism in the old society, and it felt for ced. The cast did great playing their characters. I liked Dwayne Johnson the most, not that he was phenomenal, although he did bring charisma to the character.The story, though, wasn’t as solid as the adventure. The biggest problem with Jungle Cruise was that there was not a sense of urgency or definite justification for why the char acters wanted to go on the tour to find the Tree of Life.  Falcón’s Trader Sam, and gives Jesse Plemons an entert ainingly outrageous accent as a German princeling. The script even pulls off a surprise or two — though one of those, involving Whitehall’s character, is horribly misconceived.

But with a budget this big and a crew this talented, the film shouldn’t be this reliant on Blunt and Johnson’s bic kering to hold the attention. In his fourth jungle outing (after Welcome To The…, Journey 2 and Jumanji), His Ro ckness gives good world-weary, and Blunt’s bossiness sparks off him nicely, in a dynamic straight out of The Afri can Queen. They don’t have much romantic chemistry but they do make for a fun odd couple, and at times the y’re the only thing stopping you from throwing yourself to the piranhas. When did on-screen adventure start to feel so planned? The backstory felt rushed and did not have a huge impact on me or how I felt about the chara cters. However, the story didn’t do a decent job of getting me invested in the characters.

The villains were, of course, bland and not memorable. All in all, a fun enough adventure that I would still reco mmend, despite its problems in story and characters. Watch ‘Jungle Cruise’ on Disney Plus here. If you enjoyed Rachel Weisz’s plucky librarian in The Mummy, you’ll love Blunt’s plucky scientist, also tottering about on a lib rary ladder and railing against the sexist scholars who won’t grant her the academic recognition she deserves. Johnson’s scoundrel captain, meanwhile, may recall a certain Corellian smuggler, or a Caribbean pirate. He sha res a loose moral sense with both, drives a beaten-up craft that he claims is the fastest in the sector, and is in hock to a rich local boss (Paul Giamatti, wasted). And it’s a shame that Ramirez’s Aguirre doesn’t draw from Werner Herzog and Klaus Kinski to add some demented intensity, because those flashbacks play more like a limp Pirates Of The Caribbean.

This IS MY Personal Review So Please Go And Watch The Movie In Theaters Only

Written By- T.H.PRASAD -B4U-Ratting-3 /5