The Great Indian Kitchen Tamil Movie Review
Cast-;
Aishwarya Rajesh, Rahul Ravindran , Yogi Babu , Poster Nandakumar , Mekha Rajan , Kalairani and others .
Crew-;
Director : R. Kannan , Music : Jerry Silvester Vincent , Editor : Leo John Paul , DOP : Balasubramaniem , Lyricist : Kabilan Vairamuthu & Dr. Kiruthiyaa , Publicity Designs – Yuvaraj Ganesan & Rajin Krishnan , Art director – Rajk umar , Choreography – Gayathri Raguramm & Satish Krishnan , Costume Stylist – Pradeepa Pandiyan , Pro – Joh nson , Digital Marketing & Creative Promotion – Digitally , Digital Promotion – Jagadesh , Executive Producer : Omsaran , Producer : Durgaram Choudhary – Neel Choudhary , Music Label – Sony Music Entertainment India Pvt. Ltd.
Story-;
The film opens with a scene shot at Aishwarya Rajesh’s dance class. It is clear from the smile on her face that she is happy. Her life unfolds in the kitchen as she adapts to the family’s traditions at her husband’s house after she marries a sociology teacher. There she chops, grinds, cooks, washes and sweeps the house along with her mothe r-in-law. She is the first to wake up and the last to go to bed, where she fulfills her husband’s desire. Meanwhile, the husband has breakfast and does yoga before going to the office. In another part of the house, his father-in-law waits for his wife to put toothpaste on his toothbrush. The incident continues like this every day. In this case, the mother-in-law goes for the delivery of her youngest daughter. Since then Aishwarya Rajesh has been taking care of the entire family responsibility.
Along with the work done by her mother-in-law she has to look after. Absence of mother-in-law for a few mont hs makes her life more difficult. She struggles to carry on their family’s traditions and routine household chores. Aishwarya, suffering from depression, makes Rajesh bored with this life at one point. Thus, the dance teacher p refers to work. Husband and father-in-law object to this. He tries to go to work despite the resistance. Her life in Pukhunda House was not taken for granted. Having a completely different upbringing from the home she marrie d into, she finds it difficult to live in a family that still believes in age-old customs related to menstruation. How does she deal with the socially constructed system or make some other decision? That is the rest of the story.
Watch The Trailor-;
Movie Review-;
Directed by Kannan, the film stars Aishwarya Rajesh and Rahul Ravindran and is produced by Durgaram Chaudh ry and Neil Chaudhry under the banner of RTC Media. A remake of the 2021 Malayalam film of the same name di rected by Jio Baby starring Sooraj Venjaramoodu and Nimisha Sajayan. This review is what it is. An educated girl living in a patriarchal household who thinks that it is culture to strip women in the kitchen and strip them comp letely in the next bedroom, that extreme indifference, brutality that claims only the body without worrying abo ut the mind, even though it is a kitchen thing that is necessary for the family, it is okay for a woman only.
Although it is impossible to do, the arrogant man thinks that it is a woman’s job and shows indifference to it… Th e film is about what she did when she was trapped in a family with all these things.Basically it’s a good movie. Jio Baby’s story is a must watch for everyone. That way people who don’t know about Malayalam movies can watch this movieKannan too has done a good job in showing the hardships of a woman in the kitchen for about twenty minutes in the beginning. Kudos. But apart from that… AyagoHow should a remake not be?It should not be an ex act copy of the scene. Eadichan copy can be accepted even in story films like thriller, science etc. But it is extrem ely stupid to copy Eadichan like that in films about bio-culture.How should it be?
By taking only the essential scenes of the story and changing them according to our land, language and culture, removing the unnecessary scenes, keeping the necessary scenes, even changing the emotion level of the scenes, being careful in the art direction, and even keeping our reflections in the character’s character, if possible, giving a better climax than the original film. A key character or an important scene or scene that gets a better perform ance than in the original film and makes the original film makers point their finger in the nose…All these are the glory of the remake. Respect to the remade film as well.A remake is not a xerox copy by changing artists. It is not a blind imitation of the original film. Doing so is treason.\
If you do that, the makers of the original film will not laugh.But that’s exactly what happened in this film For a he althy person, a wife comes to the sitting place and gives coffee if she wants it. But for brushing her teeth, she pu ts paste on the brush and brings the brush and does not leave. It may be Kerala’s custom to go like that. But in an y society it is not the custom of Tamil Nadu. “You love Pallu Velakuna Velakku. The women of Namur will leave sa ying “Illatin naru”. Even if one or two things happen in some high-rises, even he would not expect the same from the daughter-in-law who came home, but the scene where he asks the daughter-in-law from a Malayalam movie is kept here.
It is not customary in Namur to scold and reprimand a wife who is away from home unexpectedly while wearing a garland. Because if they put a wreath here, they will see their wife as Manjamata. They are going to take anoth er bath. That too, because he came to save her in danger, none of the Ayyappa Samis of Tamil Nadu scolds the wi fe who has touched her.Even the cruel father-in-law in our village does not ask the daughter-in-law to clean the stairs, handrails, pillars and pads every single day when she comes home to such a big house. “Emma .. is this a ho use or a show room? What is the use of a pillar like this every day?” They will ask if they want.A creator has the right to change the domain even if it is a remake film. We do not deny it.
Accordingly, Kannan is trying to give a Brahmin character to many of the female characters in the film through th eir facial structure and color. No mistake. But the director who establishes women in such a character shows on ly men on this side as people who enjoy and taste Karak Murak and eat vegetables. Tulsi matam is different at ho me. A dirty woman should not go there. But I am a vegetarian who sprinkles water on the tulsi mat to remove the stain. Cruelty. The faces and tone of speech of many people who are acting in the film are like watching a Narada Sabha play. Some people look like they came from a hollow planet beyond the earth. Aishwarya Rajesh’s mother came directly from the planet Neptune.
This IS MY Personal Review So Please Go And Watch The Movie In Theaters Only
Written By- T.H.PRASAD -B4U-Ratting-3 /5
